Trilogie de la guerre / Un champ brûlé
ELINA KULIKOVA e DIMA EFREMOV (FR/CH/Ex-RU)
© Bohumil Kostohryz
Performance
May 5th – 6th
Tue. 5, ore 21:00
Wed. 6, ore 19:30
Fabbrica del Vapore
Cattedrale
What do we think about Russian culture today, in the name of which war crimes are being committed? Can we listen to Tchaikovsky’s romances without thinking of the bombed theatre in Mariupol, in whose ruins a Russian orchestra performed a concert by the same composer after the city’s occupation?
Un Champ Brûlé – the first chapter of the Trilogy – is a concert-manifesto on the complex issue of Russian imperialism that made possible the large-scale Russian invasion of Ukraine in 2022.
The show combines music, poetry, autofiction, and documentary writing to evoke the pain of exile, nostalgia, and resistance in the face of war. Through song, piano, and interpretations of 19th- and 20th-century Russian romances, the two artists reveal a national culture steeped in systemic violence, suffered since childhood and now visible to the whole world. The music of Tchaikovsky, Dargomyzhsky, and Tariverdiev accompanies texts on geopolitics, state violence, and oil, the central element of this war.
A director committed to feminist and queer dramaturgy, Elina Kulikova was forced to flee Russia in March 2022 after being targeted by regime propaganda. At her side is Dima Efremov, a multidisciplinary artist and activist who dedicates his work as a lawyer to supporting political prisoners and victims of Putin’s regime.
ideation: Elina Kulikova and Dima Efremov direction: Elina Kulikova text: Elina Kulikova and Dima Efremov with: Elina Kulikova and Dima Efremov vocal couch: Maya Novikova costumes: Elina Kulikova external view : Natalia Kaliada and Nicolai Khalezin (Belarus Free Theatre) production, tournée and communication direction: Tina Hollard production: Compagnie Champ Brûlé production delegate: Sens Interdits with the support of: PAUSE – emergency reception assistance program for scientists in exile , Collège de France, Sens Interdits Festival International, Institut Français residency: Théâtres de la Ville de Luxembourg – Talent Lab, ESAAA – École Supérieure d’Art Annecy Alpes, Annecy, France
Photos by Bohumil Kostohryz
Info
50 min
Russian with sub. Ita
Tickets
FULL PRICE 15,00 €
REDUCED OVER 65 13,00 €
REDUCED Students/Under26/ with disability 10,00 €
Reduction on the full ticket price applicable with certified disability or invalidity equal to or greater than 67% (the disability certificate or disabilitycard.it is valid). Free admission for accompanying persons if required by the disability certificate; please write to biglietti@zonak.it to reserve free admission.
Biglietti e abbonamenti sono acquistabili nei giorni di festival presso il botteghino di LIFE a partire dalle ore 17:30 oppure online con l’aggiunta dei diritti di prevendita. Requests for refunds and/or date changes will not be accepted.
Accessibility
Suitable for audiences aged 14 and over.
The show includes descriptions of some war scenes.
Event accessible to people with reduced mobility and deaf or hearing-impared people.
Elina Kulikova (born in St. Petersburg) is a director, writer and performer. She participates in international theatre festivals and workshops and has been nominated for national theatre awards in her native country. Over the past five years, she has worked in Russia, the United States, Europe and Latin America. She studied at Bard College of Liberal Arts (New York) and later at La Manufacture (Lausanne), specialising in direction. Long before fleeing Russia in February 2022, Elina was already engaged in Russian queer writing and ecofeminist epistemologies. She became the target of cyberbullying by far-right activists after her name was publicly cited as an example of a “traitor” on a prime-time propaganda television program. S ince 2022, she has been living and working in Switzerland and France. The central themes of her theatre and writing are the war in Ukraine, gender-based violence, and memory.
Dima Efremov is a sound artist, performer and interdisciplinary creator. He’s a political activist too. Until 2022, he worked in Russia with theatres and institutions as the Meyerhold Centre, the Voznesensky centre, the Garage Museum and the international artistic festival Point. He’s engaged with the queer theatre, as well as exploring themes of repression and torture perpetrated by the Russian state. He is also actively involved in defending human rights, helping artists in danger to leave Russia, Belarus and Ukraine. In addition, he is the co-founder of a project that helps people suffering political repression in Russia.